Landscape of Vineyard Culture
from
Baia do Gasparal to Madalena
The 987-ha site on the volcanic island of Pico, the second largest in the Azores archipelago, consists of a remarkable pattern of spaced-out, long linear walls running inland from, and parallel to, the rocky shore. The walls were built to protect the thousands of small, contiguous, rectangular plots (currais) from wind and seawater. Evidence of this viniculture, whose origins date back to the 15th century, is manifest in the extraordinary assembly of the fields, in houses and early 19th-century manor houses, in wine-cellars, churches and ports. The extraordinarily beautiful man-made landscape of the site is the best remaining area of a once much more widespread practice.
University
in
Coimbra
on
rua de Sao Joao
Key components of the university's pedagogical institutions are the 16th & 17th century buildings including the Royal Palace of Alcaçova, St Michael's Chapel, the Joanine Library, the Colleges of Jesus, Holy Trinity, St. Jerome, St. Benedict, St. Anthony of the Quarry and St. Rita; the colleges along Sofia Street including St Michael (Inquisition - old Royal College of the Arts), Holy Spirit, Our Lady of Carmel, Our Lady of Grace, St Peter of the Third Order, St. Thomas, New St Augustine, and St Bonaventure; the 18th century facilities in the Alta area including the Chemistry and other laboratories, Botanical Garden and the University Press, and the large 'University City' created during the 1940s.
National Palace of Pena
in
Sintra
on
Estrada da Pena
Around 1840, Ferdinand II turned a ruined monastery into a castle in which Gothic, Egyptian, Moorish and Renaissance elements were displayed. He surrounded the palace with a vast Romantic park, unparalleled elsewhere planted with rare and exotic trees, decorated with fountains, watercourses and series of ponds, cottages, chapels and mock ruins, and traversed by magical paths. He also restored the forests of the Serra, where thousands of trees were planted to supplement the oaks and umbrella pines which made a perfect contribution to the romantic character of the Cultural Landscape of Sintra.